The Transformation of Ronggeng Dukuh Paruk
DOI:
https://doi.org/10.24090/komunika.v11i2.1368Keywords:
onggeng Dukuh ParukTrilogy, Sang Penari, Exotication, OrientalismAbstract
Two main Things is analyzed in this study, The first is the view of the trilogy, when its exotication much symbolized by Srintil and Dukuh Paruk was viewed in complex, divine and yet paradoxal object. This analysis was coming from the study of the genre which flourished in Indonesian literary on 70’s and 80’s, also from the political sociological perspectives when rapid development triumphed the rational masculinity over irrational superstitious during 1980’s New order era.The second is the view of the trilogy when it was filmed in 2011 entitled Sang Penari. To be a more suitable with audience, the exotication including the life of Ronggeng is made to be a more pop icon than its complexity. The study was using the the arguments of orientalism and using the illustration of mainstream pop culture audience in Indonesia after the reformation era in 1998. The broader objectives of the study, is to give a deeper understanding to many pop culture artifacts in Indonesia, in terms of formation, pattern and type of communication. This study is more in interpretive path comparing several books and writings.Downloads
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Barsamian, David & Said, Edward W. (2003)Culture and Resistance, Conversation with Edward Said. Cambridge Massachusets, Printed in Canada.
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Budiman, Maneke. (2015). Sastra dalam Pasar Industri Populer di Indonesia. P 13-24. Majalah Pusat No.9. Pusat Bahasa. Jakarta.
Cashmore, Ellis. (2006). Celebrity Culture. Routledge. Madison Ave.NY. USA.
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Di Giovanni, Elena. University De Bologna. Disney Films: Reflections of the Other and the Self. CULTURE, LANCUAGE AND REPRESENTATION - ISSN 1697-7750. VOL IV \ 2007, pp. 91-109. Cultural Studies Journal of Universitat Jaume I. Italy
Gans, Herbert. J. Popular Culture and High Culture. 1974 Basic Books,Inc USA.
Griffin, Em. (2005). A first look at Communication Theory. 5th edition. NY.US.
Hall, Stuart et al (editor). Culture, Media, Language. 2005. Routledge. USA.
Heryanto, Ariel (editor). Budaya Populer di Indonesia: Mencairnya Identitas Pasca Orde Baru. 2012. Terj: Popular Culture in Indonesia, Fluid,
Identities in Post-Authoritarian Politics. Routledge. Jalasutra. Yogyakarta
Heryanto, Ariel. Penerjemah: Eric Sasono. Identitas dan Kenikmatan: Politik Budaya Layar Indonesia Edisi 2. 2015.Teremahan: Identity and Pleasure.: The Politics of Indonesian Screen Culture. 2014.NUS university. Jakarta: PT Gramedia.
Ibrahim, Idy Subandy (editor). Lifestytle Ecstacy: Kebudayaan Pop dalam Masyarakat Komoditas Indonesia. Edisi kedua. 2004. Yogyakarta: Jalasutra.
Ibrahim. Idy Subandy. Budaya Populer Sebagai Komunikasi. Dinamika Popscape dan Mediascape di Indonesia Kontemporer. 2007. Yogyakarta: Jalasutra.
Littlejohn, Stephen W & Foss, Karen A. (2008)Theories of Human Communication. 9th Edition. Thomson Wadsworth. Belmont, CA, USA.
Mc Quail, Dennis. Mass Communication Theory. 5th Edition. 2005. SAGE Publication. Oxford, UK: Alden Press.
Mirzoeff, Nicholas (Editor). (2002). The Visual Culture Reader. Second Edition. NY. USA.
Nayar, Pramod K. Packaging Life, Culture in Everyday Life. 2009. London. UK.: SAGE Publication.
Nelmes, Jill. (2003). An Introduction to Film Studies. 3rd Edition. Routledge. NY. USA.
Nugroho. Garin & Herlina S, Dyna. (2015). Krisis dan Paradoks Film Indonesia. Jakarta: Kompas Media Nusantara.
Penfold-Mounce, Ruth University of York UK. (2009). Celebrity Culture and Crime: The Joy of Transgression. Palgrave Mc Millan. UK
Purwoko, Oki Edi. Reclaiming Banyumas Identity: An Interpretive Study About Identity and Character of Local Society based on Literary Studies of History, Attitudes, Behavior, Art and Culture. 2016.Vol 10, No 1 (2016) Komunika. Purwokerto: IAIN Purwokerto.
Rosenblatt. Naomi. University of Pennsylvania. (2009). Orientalism in American Popular Culture. Pennsylvania. USA.
Rosidi, Ajip. Ikhtisar Sejarah Sastra Indonesia. (2013). Bandung: Pustaka Jaya.
Said, Edward W. Orientalism. (1979).Vintage Books A Division of Random House. NY USA.
Said, Edward W. The Text, The World, The Critics. The Bulletin of the Midwest Modern Language Association, Vol. 8, No. 2 (Autumn,
1975), pp. 1-23 Published by: Midwest Modern Language Association Stable URL: http://www.jstor.org/stable/1314778 Accessed: 27/08/ 2008 10:09
Santoso, Budi dkk. (2003). Identitas dan Poskolonialitas di Indonesia. Kanisius, Yogyakarta.
Tohari, Ahmad. (2003) Ronggeng Dukuh Paruk. Book 1 – 3. Gramedia Pustaka Utama. Jakarta Indonesia.
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2018-04-13
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