BERTAARUF DENGAN TILAWAH LANGGAM JAWA
DOI:
https://doi.org/10.24090/maghza.v2i1.1544Keywords:
al-qur'an, langgam, jawa, tilawahAbstract
This paper seeks to study the recitation of the Qur'an with the recitation of Javanese style as an interpretation in the reading. The recitation of the Javanese style is done by reciting the Qur'an by using the rhythm of the spiritual sound art treasury of Sekar Macapat. The recitation of Javanese style is not an insult to the Qur'an. Reading practice is not the same as chanting the Qur'an with the rhythm of Arabic songs, dangdut, punk, hip-hop, and other types of musical genres. the recitation of the Qur'an with the Javanese rhythm derived from Sekar Macapat is a good, beautiful, and more important, suluki. it means that the recitation of Javanese style is an act of reciting the Qur'an as well as a cultured act, which aims to draw closer to Allah Almighty, the Prophet Muhammad (peace be upon him), and to connect himself to the spiritual genealogy of the saints in Java. therefore, I call it "Jawi's recitation," which in Javanese spiritual treasury means one who has understood the real reality (al-Haq).Downloads
Download data is not yet available.
References
Arafat, M. Yaser. (2013). ““Tarekat Tilawatiyahâ€: Melantunkan al-Quran, Memakrifati Diri, Melakonkan Islamâ€, Tesis. Yogyakarta: Program Magister Antropologi UGM FIB Yogyakarta
---------------. (2015). “Fas}lun ay Ha>z}a> Fas}lun fi Suluk Tila>wah Ja>wiâ€, makalah Seminar Nasional “Memperkenalkan Qiraah Langgam Jawaâ€, oleh Himpunan Mahasiswa Jurusan (HMJ) Tafsir-Hadits Fakultas Ushuluddin UIN Walisongo Semarang, Jawa Tengah, 15 Juni.
Denny, Frederick M. (1989). “Quran Recitation: A Tradition of Oral Performance and Transmissionâ€, dalam Jurnal Oral Tradition, 4/1-2.
Erzen, Jale Nejdet. (2007). “Islamic Aesthetics: An Alternative Way to Knowledgeâ€, dalam The Journal of Aesthetics and Art Criticism, Vol. 65, No. 1, Winter.
Ettinghausen, Richard. (1944). “The Character of Islamic Artâ€, dalam Nabih Amin Faris (ed.), The Arab Heritage. New Jersey: Princeton University Press.
Farmer, Henry George. (1929). A History of Arabian Music to The XIIIth Century. London: Luzac & Co.
al-Faruqi, Ismail Raji. (1999). Seni Tauhid; Esensi dan Ekspresi Estetika Islam. Yogyakarta: Bentang Budaya.
al-Faruqi, Lois Ibsen. (1975). “Muwashshah: A Vocal Form in Islamic Cultureâ€, dalam Ethnomusicology, University of Illionis Press and Society for Ethnomusicology, Vol. 19, No.1.
----------------. (1987). “The Cantillation of The Quran†dalam Asian Music, University of texas Press, Vol. 19, No. 1.
Gade, Anna M. (2004). Perfection Makes Practice; Learning, Emotion, and The Recited Quran in Indonesia. USA: University of Hawai’i Press.
Malouf, Lois. 2004. Al-Munjid fi al-Lug}a>h wa al-A’la>m. Beirut: Darul Masyriq, cet. xxi.
Munawwir, Ahmad Warson. (1997). Kamus Al-Munawwir cet. xiv. Surabaya: Pustaka Progressif.
Nelson, Kristina. (1985). The Art of Reciting the Quran. USA: University of Texas Press.
----------------. (1982). “Reciter and Listener: Some Factors Shaping The Mujawwad Style of Quranic Recitingâ€, dalam Jurnal Ethnomusicology, University of Illionis Press and Society for Ethnomusicology, Vol. 26, No. 1, Januari, 41-47.
Qutaiba, Ibn. (1969). Al-Ma’a>rif (Cairo: Dar al-Ma’arif.
Rasmussen, Anne K. (2010). Women, the Recited Quran, and Islamic Music in Indonesia. USA: University of California Press.
--------------. (2006). “Recitationâ€, dalam Andrew Rippin (ed.), The Blackwell Companion to The Al-Quran. USA: Blackwell Publishing.
al-Sa’id, Labib. (1967). Al-Jam’u al-S}autiy al-Awwal li al-Qur’a>n al-Kari>m aw al-Mus}af al-Murattal. Cairo: Dar al-Kitab al-‘Arabi li al-Thiba’a wa al-Nasyr.
Shalihah, Khadijatus. (1983). Perkembangan Seni Baca Al-Quran dan Qiraat Tujuh di Indonesia. Jakarta: Pustaka Alhusna.
Touma, Habib Hassan. (1996). The Music of The Arabs. Portland, OR: Amadeus Press.
---------------. (1971). “The Maqam Phenomenon; an Improvisation Technique in The Music of The Middle Eastâ€, dalam Ethnomusicology, USA: University of Illionis Press, Vol. 15, No. 1.
Ulfah, Maria. (2013). “Seni Baca al-Quran dan Keistimewaannyaâ€, makalah dalam Workshop Nasional Tilawatil Quran Bersama Dra. Hj. Maria Ulfa, MA†yang diadakan oleh UKM JQH Al-Mizan UIN Sunan Kalijaga Yogyakarta, 17 Februari 2013.
Wirodono, Sunardian. 2011. Serat Chentini Dwi Lingua. Yogyakarta: Yayasan Wiwara.
Zen, Muhaimin & Akhmad Mustafid (ed.). (2006). Bunga Rampai Mutiara Al-Quran; Pembinaan Qori-Qoriah dan Hafizh-Hafizhah. Jakarta: PP Jamiyyatul Qurra wal Huffazh.
---------------. (2015). “Fas}lun ay Ha>z}a> Fas}lun fi Suluk Tila>wah Ja>wiâ€, makalah Seminar Nasional “Memperkenalkan Qiraah Langgam Jawaâ€, oleh Himpunan Mahasiswa Jurusan (HMJ) Tafsir-Hadits Fakultas Ushuluddin UIN Walisongo Semarang, Jawa Tengah, 15 Juni.
Denny, Frederick M. (1989). “Quran Recitation: A Tradition of Oral Performance and Transmissionâ€, dalam Jurnal Oral Tradition, 4/1-2.
Erzen, Jale Nejdet. (2007). “Islamic Aesthetics: An Alternative Way to Knowledgeâ€, dalam The Journal of Aesthetics and Art Criticism, Vol. 65, No. 1, Winter.
Ettinghausen, Richard. (1944). “The Character of Islamic Artâ€, dalam Nabih Amin Faris (ed.), The Arab Heritage. New Jersey: Princeton University Press.
Farmer, Henry George. (1929). A History of Arabian Music to The XIIIth Century. London: Luzac & Co.
al-Faruqi, Ismail Raji. (1999). Seni Tauhid; Esensi dan Ekspresi Estetika Islam. Yogyakarta: Bentang Budaya.
al-Faruqi, Lois Ibsen. (1975). “Muwashshah: A Vocal Form in Islamic Cultureâ€, dalam Ethnomusicology, University of Illionis Press and Society for Ethnomusicology, Vol. 19, No.1.
----------------. (1987). “The Cantillation of The Quran†dalam Asian Music, University of texas Press, Vol. 19, No. 1.
Gade, Anna M. (2004). Perfection Makes Practice; Learning, Emotion, and The Recited Quran in Indonesia. USA: University of Hawai’i Press.
Malouf, Lois. 2004. Al-Munjid fi al-Lug}a>h wa al-A’la>m. Beirut: Darul Masyriq, cet. xxi.
Munawwir, Ahmad Warson. (1997). Kamus Al-Munawwir cet. xiv. Surabaya: Pustaka Progressif.
Nelson, Kristina. (1985). The Art of Reciting the Quran. USA: University of Texas Press.
----------------. (1982). “Reciter and Listener: Some Factors Shaping The Mujawwad Style of Quranic Recitingâ€, dalam Jurnal Ethnomusicology, University of Illionis Press and Society for Ethnomusicology, Vol. 26, No. 1, Januari, 41-47.
Qutaiba, Ibn. (1969). Al-Ma’a>rif (Cairo: Dar al-Ma’arif.
Rasmussen, Anne K. (2010). Women, the Recited Quran, and Islamic Music in Indonesia. USA: University of California Press.
--------------. (2006). “Recitationâ€, dalam Andrew Rippin (ed.), The Blackwell Companion to The Al-Quran. USA: Blackwell Publishing.
al-Sa’id, Labib. (1967). Al-Jam’u al-S}autiy al-Awwal li al-Qur’a>n al-Kari>m aw al-Mus}af al-Murattal. Cairo: Dar al-Kitab al-‘Arabi li al-Thiba’a wa al-Nasyr.
Shalihah, Khadijatus. (1983). Perkembangan Seni Baca Al-Quran dan Qiraat Tujuh di Indonesia. Jakarta: Pustaka Alhusna.
Touma, Habib Hassan. (1996). The Music of The Arabs. Portland, OR: Amadeus Press.
---------------. (1971). “The Maqam Phenomenon; an Improvisation Technique in The Music of The Middle Eastâ€, dalam Ethnomusicology, USA: University of Illionis Press, Vol. 15, No. 1.
Ulfah, Maria. (2013). “Seni Baca al-Quran dan Keistimewaannyaâ€, makalah dalam Workshop Nasional Tilawatil Quran Bersama Dra. Hj. Maria Ulfa, MA†yang diadakan oleh UKM JQH Al-Mizan UIN Sunan Kalijaga Yogyakarta, 17 Februari 2013.
Wirodono, Sunardian. 2011. Serat Chentini Dwi Lingua. Yogyakarta: Yayasan Wiwara.
Zen, Muhaimin & Akhmad Mustafid (ed.). (2006). Bunga Rampai Mutiara Al-Quran; Pembinaan Qori-Qoriah dan Hafizh-Hafizhah. Jakarta: PP Jamiyyatul Qurra wal Huffazh.
Downloads
Published
2017-05-09
How to Cite
(1)
Arafat, M. Y. BERTAARUF DENGAN TILAWAH LANGGAM JAWA. MZA 2017, 2, 75-84.
Issue
Section
Articles
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
